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Who Is Riad Ismat? Wiki, Bio, Age, Early Life, Career, Wife & Children, Cause Of Death, Net Worth, Books View, Tribute And Many More Facts You Need To Know


Mohammad Riad Hussain  was a Syrian writer, critic, and theater director. He served as Syria’s Minister of Culture from October 3, 2010 to June 23, 2012. Riad Ismat  was the best known as a writer. He was born on July 11, 1947 in Damascus. he was one of the successful writers. He had  been ranked on the list of those famous people who were born on July 11, 1947. He  was one of the wealthiest writers who was born in Syria.


He was 72 years old.

Early life, education, and career

Ismat studied English literature at the University of Damascus and graduated in 1968. In 2000, he became Rector of the Academy of Dramatic Arts, after years of teaching. In 2003, Ismat became Director General of Syrian State Radio and Television, then held the position of Syrian Deputy Minister of Culture. In 2005, he was appointed ambassador to Pakistan and in 2010, Syrian ambassador to Qatar. In October 2010, Ismat was appointed Minister of Culture, serving in that role until June 23, 2012. From 2013 to 2014, he served as a visiting scholar at the Buffett Center at Northwestern University.


Ismat has directed more than 15 theatrical productions, including performances by Shakespeare, Tennessee Williams, and Frank Wedekind, as well as the production of his own personal vision for The Arabian Nights. He founded the first mime company in Damascus and taught mime, acting and directing at the Syrian Academy of Dramatic Arts. There he used to teach the Stanislavsky-based method of acting. His breakthrough as a playwright came with The Game of Love & Revolution; Among her best-known dramatic works are: Was Dinner Good, dear sister; The duel becomes antigone; Sinbad Shahryar’s Nights; Abla and Antar; Kill hari; The Banana Republic and In Search of Zenobia. Ismat also directed his own television trilogy for Syrian television, “The Artist & Love”, 1985.


Ismat had published 35 books, including short stories and several books on Arab and world drama. He had also written a book about the Nobel laureate Naguib Mahfouz and a book about cinema. As a television writer, he had written the scripts for seven television series.


Ismat died on May 13, 2020 in Chicago due to COVID-19.


Evanston scholar Riyadh Ismat dies of COVID-19, mourned by the Arab world as Syria’s brave former culture minister.

His death at 73 has triggered great affliction among Syrian exiles and international diplomats, as well as academics and students at a variety of educational institutions in the Chicago area, including Northwestern University, Columbia College, and North Central College in Naperville. . For many of these mourners, Ismat was a figure similar to the late Vaclav Havel, a fellow playwright and former President of the Czech Republic. It was a symbol of political freedom and the intellectual, artistic and humanistic potential of a nation in crisis. How did this man come to live quietly in Evanston and teach as visiting professor and adjunct professor at so many local universities? It had been placed here by an organization called Scholars at Risk, an international group dedicated to human rights and academic freedoms and known for finding homes for people who speak out against oppression.

said Ismat’s son Sami

“My dad just wanted to be a freethinker,” “who had to give up everything he owned. We were surprised by the whole flow after his death, especially in the Arab press. You wouldn’t expect it from someone He’s been gone for eight years. But my dad has been on the news a lot in Syria. It has helped us understand how shocking it was.

” Ismat was prolifile_”

He wrote 35 books and directed over a dozen major theatrical productions, while (once) directing Syrian state radio and television, serving as Syrian ambassador to Pakistan and Qatar, and then serving as Minister of Culture, a powerful position. near a president with whom he parted. It is easy to get lost in Ismat’s writing. He refused to call himself a politician, preferring to be known as a playwright who wrote about politics. “My strong conviction,” he told an interviewer shortly after his arrival in Evanston, “is that culture exists to unify a nation, not to divide it. During my tenure as minister, I emphasized the role that culture should play in promoting of values ​​of tolerance, diversity, pluralism, democracy and freedom of expression. ” But when Syria became embroiled in conflict, Ismat found himself trying to rethink a different humanist position than the two parties to the conflict. He clearly found Bashar al-Assad’s authoritarian actions unacceptable: “It is the duty of any humanitarian writer or artist to disapprove of the violence,” Ismat said, also in a published interview. “Therefore, he was against the so-called military / security solution, which was used instead of engaging in political dialogue in response to protesters’ demands for tangible and rapid reform.” But while he supported the popular movement, he also stood firm against terrorism: “Many of the artists and writers I met in the opposition believe in secularism, reform, and democracy,” he said, “not in terrorism and dismantling the state”. Perhaps most poignantly of all, Ismat saw a crucial role for the arts in the future of a free Syria, aware of its own illustrious past. In his writings, Ismat constantly refers to the once-thriving cultural scene in Damascus, populated by daring artists with their ears listening to concerns on the street.

“For more than half a century,” Ismat wrote in one of his books, “various leaders in the Middle East paid no heed to those daring writers and artists who warned, implicitly or explicitly, of the next catastrophe. Instead, they relied on the reports, which were often falsified to satisfy the ego of the leaders and maintain the status of some high-ranking officials. ” Ismat understood something important about how difficult it can be for artists to sound alarms to communicate with political leaders, who generally marginalize them as mere artists or dangerous dissidents. “Riyadh understood the power of connecting people through art and culture,” said Jamil Khoury, the founding artistic director of Silk Road Rising in Chicago and a fellow Syrian migrant. “And I knew that the quintessential American drama by Arthur Miller or Tennessee Williams could be translated into Arabic and then understood as Syrian stories.”

Igniting a thirst for justice and intellectual freedom is exactly what Riyadh did. As early as the 1970s in Damascus, he was directing Sophocles’ “Antigone”, a Greek tragedy about a young woman who dares speak out against the authorities, and Shakespeare’s “Hamlet”, a play about many things, but certainly about the injustice. . Her son Sami said her father loved living in Evanston, giving talks on “Shakespeare and the Middle East” at the Evanston Public Library, or comparing acting to small-group diplomacy in Naperville, all while wearing the life of A quiet but very persistent scholar. He was the type of man Syria needs most. Still. Shortly before his death, Ismat had received the news that his son, Karim, had been accepted into the Boston University doctorate program in neurobiology. Sami, meanwhile, has just graduated with a master’s degree from the School of the Art Institute of Chicago. He is an artist who works in the footsteps, he said, of his father. “We have the same values,” said Sami, “and exactly the same love for Syria and what that country could be.”

Net Worth

Writer Riad Ismat net worth has been growing significantly in 2018-19. So, how much is Riad Ismat worth at the age of 72 years old? Riad Ismat’s income source is mostly from being a successful Writer. He is from Syria. We have estimated Riad Ismat’s net worth, money, salary, income, and assets.

Estimated Net Worth in 2019 $1 Million – $5 Million

Previous Year’s Net Worth (2018) $100,000 – $1 Million

Annual Salary Under Review. Income Source Primary Income source Writer (profession).

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